Puck

A Journal of the Irrepressible

Archive for January, 2010

Leonard Bernstein Omnibus

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Leonard Bernstein, early mass media star, gave millions of people a long string of sophisticated lessons in music. Throughout the 1950s and ’60s, Bernstein appeared on all three major television networks many times as brilliant educator and glorious composer, all the while and just off screen he was also a glamorous bon vivant. Bernstein was a man who lived large and looms large still in the musical consciousness of the United States, and the world as well.

From 1958 to 1973, Bernstein delivered four TV music performance/lectures per year, illustrated lavishly with the likes of the New York Philharmonic: the Young People’s Concerts series is still one of the longest-running programs on classical music. Earlier in the 1950s, he delivered for Omnibus a handful of performances that are considered among the finest of the so-called “golden age of television.” Omnibus was a dignified, mid-century monumental series hosted by Alastair Cooke that explored art, science and the humanities. Read the rest of this entry »

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Written by Brian

January 27th, 2010 at 7:13 pm

Ginevra’s Story: Solving the Mysteries of Leonardo da Vinci’s First Known Portrait

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Using X-rays to literally delve beneath the surface of this mysterious portrait, Christopher Swann’s 1999 documentary is a fascinating examination of a beautiful painting.

One of only three portraits of women by Leonardo da Vinci, the subject of the painting was the 16-year-old Ginevra de Benci, a member of a wealthy family. The portrait may have been Leonardo’s first commission; he is thought to have been 22 when he painted it in 1474. The picture hangs in the National Gallery in Washington, D.C. – or, rather, the upper half of the painting hangs there.

For at some point in its past, the picture was mutilated: the bottom half was cut away, so that Ginevra is portrayed only from about mid-bust upwards. Ginevra’s Story shows how art historians, using computer-aided design technology, reconstructed the bottom third of the painting. The reconstruction is based on sketches of Ginevra’s hands in the Windsor Castle art collection, and on comparison with Ginevra’s “sisters,” the Mona Lisa and the “Lady with an Ermine.” Read the rest of this entry »

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Written by Brian

January 24th, 2010 at 7:19 pm

Posted in art, film, reviews, science

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Booker T. and the MGs Playing “Green Onions” 1967, Oslo

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Booker T. and the MGs were the house band for Stax Records and provided the backbone for many a hit record. Here they in a performance in Oslo, Norway, in 1967.

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Written by Brian

January 23rd, 2010 at 8:30 pm

Posted in film, music

Generosity by Richard Powers

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Richard Powers is a master of sleight-of-hand. He writes novels full of science but escapes being called a science fiction writer. In Generosity: An Enhancement, the latest novel by the MacArthur “genius” grant and National Book Award winner (for The Echo Maker), Powers feints and flourishes in order to — presto-magico — pull together two seemingly unrelated themes: genetic engineering and creative nonfiction.

In Powers’ hands, the relation between the two themes is laid bare: they both are concerned with the nature, manipulation, and enhancement of reality. In recent years, we’ve seen the formerly innocuous genre of memoir mutate into the high-stakes blockbuster industry of creative nonfiction. And woe unto he who fudges the truth in his memoir, who tells a lie, however small. What used to be par for the course in memoir is now a cardinal sin: remember James Frey and A Million Little Pieces? Read the rest of this entry »

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Written by Brian

January 21st, 2010 at 11:13 am

Amazing Fingers on this Botswanian Guitarist

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Holy smokes, never seen a geetar fingered like this before. Go, Ronnie, go!

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Written by Brian

January 19th, 2010 at 4:44 pm

Posted in film, music

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Italy proposes mandatory licenses for people who upload video

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Sez Cory Doctorow:

Italy’s Berlusconi regime, already known around the world as an enemy of free speech and popular access to the tools of communication, has now floated a proposal to require Italians to get an “uploader’s license” in order to put any “moving pictures” on the Internet. The government claims that this is required as part of the EU’s product placement disclosure rules, which is about as ridiculous assertion as I’ve heard this month.

via Italy proposes mandatory licenses for people who upload video Boing Boing.

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Written by Brian

January 17th, 2010 at 6:40 pm

Astronauts Bringing Cocaine Back from Orbit

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Astronauts are apparently scoring dope while in orbit, according to a report in the Los Angeles Times:

A shuttle worker employed by United Space Alliance found a plastic bag with a white powder residue — later confirmed to be cocaine — in a shuttle processing hangar at Kennedy Space Center last week.

This raises an important question: from whom are the astronauts scoring? And, is the drug war being extended into near-Earth orbit? More, is the cocaine being scored in space and brought back to Earth in any way connected to the U.S.’s secret moon base so recently exposed? Additionally, why are the U.S. and Russia spatting over an “asteroid hit“? Just what is meant by the term “hit” in this content? Could the asteroid, in parallel with the moon being made of green cheese, be made of pure cocaine?

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Written by Brian

January 17th, 2010 at 6:21 pm

Tide Poolin’ with Katherine and Brian

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When we were in SoCal over the holidays, my sister and I made this wee movie.

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Written by Brian

January 15th, 2010 at 8:25 pm

On Joanna Russ Reviews

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I just found a couple more reviews of On Joanna Russ, to which I contributed an essay. This review is by Paul Kincaid, and was featured on The SF Site; snip:

Anyone who came into science fiction during the late 60s and 70s would have been aware of Joanna Russ. Even if you never read any of her relatively few novels or stories, you couldn’t avoid the name. Of the three great women writers who did so much to transform science fiction at this time, Ursula K. Le Guin, James Tiptree Jr., and Russ, Russ was far and away the most controversial. So much so that it was known for her name to be greeted with boos at an sf convention, and believe me even in the conservative world of fandom that was unusual.

Joanna Russ is an incredibly important figure in the history of science fiction and the author of a couple of novels and several short stories that deserve to endure. This beautifully produced collection of essays is a fitting tribute to her, and even those who know Russ’s work well will learn from many of these essays. Even so, this is still only telling part of the story about an elusive and complex writer. We’d be better off if all her work were back in print, but until that happens this is a superb reminder of what a valuable and important writer she is.

The other review is by Cheryl Morgan who makes a point about book reviewing that is near and dear to my heart; snip:

it occurs to me that those people who complain that book reviews should always be neutral and objective, and not bring in the reviewers personal viewpoint in any way, are very like those people who claim that books that have no obvious character ethnicity (and are therefore default white) are good because they are “colorblind”. If you get criticized for standing out from the cultural norm it is probably because you have said something interesting and subversive.

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Written by Brian

January 15th, 2010 at 2:12 pm

The Cosmic Landscape by Leonard Susskind

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The universe, why does she purr and growl and spit and coo the way she does? “Like the eye,” Leonard Susskind writes in The Cosmic Landscape: String Theory and the Illusion of Intelligent Design, “the special properties of the physical universe are so surprisingly fine-tuned that they demand explanation.”

The eye, of course, was supposed to be the trump card of the cadre of crypto-creationists known as the intelligent design underground. The plan, as outlined in the infamous Wedge document, was to stealthily sow doubt and infiltrate key positions in order to get creationism taught in schools, along with morning prayers and the Ten Commandments mowed into the lawns of every courtroom in the U.S. Alas, the trial in Dover, Pennsylvania (a case fondly, if very unofficially, remembered as A Couple Dumb Cluck School Board Members and Their Discovery Institute Allies vs. Common Sense), put the kybosh on intelligent design.

Which might mean that Susskind’s 2006 book is passé and no longer useful. The influential and admired theoretical physicist wrote it, he says in his introduction, because he thinks the universe – quirky, special, and weirdly tuned as she is – can be explained without recourse to “supernatural agents.”

In fact, though, and except in the introduction, Susskind has way too much fun ogling the universe’s sexy features to really spend much time bashing creationists. He’s got “branes” on the brain while luxuriating in “a bubble bath universe,” washing off the mud (or whatever that stuff is) being slung in “the black hole wars.” Creationism be damned, let’s do math!

Or, since there aren’t any actual equations in The Cosmic Landscape, let’s do the diagram rumba and follow the squiggly lines that compose a Feynman diagram – but watch out! The dance floor is folding according to the weird rules of its own private geometry. And: energy is mass with no clothes on so, parents, shield your children from the wonders of the universe.

But that, ultimately, is Susskind’s point: you don’t need to bring in supernatural intelligence to explain the weird goings on in the universe; you don’t need “intelligent design” or, as brainy physicists with a metaphysical bent like to call it, the “anthropic principle.” The anthropic principle is the idea that the universe is designed just so, so that – guess who – humans can thrive in it. Things are neither too hot nor too cold; neither too inflationary nor too contractionary. It is kind of spooky. Better, though, Susskind says, to take a look at what he called “the physicist’s Darwinism.”

Survival of the fittest, that is, only as it applies to the laws of physics. Just as with biology, where you get highly adapted and complex things like eyes and duck-billed platypuses, the universe has strings, and branes and black holes. The laws that work, continue to work. The ones that don’t, stop being laws, either dying out or changing. There is, Susskind claims, a “landscape of possibilities” Out There – and The Cosmic Landscape is his delightful tour of it.

Originally published on Curled Up With A Good Book at www.curledup.com. © Brian Charles Clark, 2010

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Written by Brian

January 14th, 2010 at 1:38 pm