Aug 19 2008
Without the King
Film review by Brian Charles Clark
“Of course, there were a lot of baboons in my stomach… to become a king!” King Mswati says at the beginning of this beautiful and fascinating film about the world’s last absolute monarchy. His country is at “a boiling point” as he becomes king. That was in 1986; it’s still just shy of boiling when Without the King picks up some 20 years later.
At the beginning of Without the King, King Mswati III of Swaziland has 12 wives and 22 children (his father had 110 wives and 250 children). By the end of the film, King Mswati has 13 wives and his daughter, Princess Sikhanyiso Dlamini, is bemoaning her fate. A new member of the family to adjust to! A new favorite to reckon with (“and she’s younger than me,” says the 18-year-old princess) while her own mother, the first wife, is on the outs.
Although Without the King is an indictment of the monarchy, Princess Sikhanyiso is the star of the film. She carries the film’s narrative: her changes are constructed to at least hint at hope for change in Swaziland. Princess Sikhanyiso is amusing and compelling and repulsively naïve of the situation of her father’s people. Her speech is a fascinating blend of Valley Girl (“My dad, he’s the king, right?”), Black English (she flows at rap early on but drops the beat in a pile of giggles), posh London, and something very close to South African. The latter is straight forward, as Swaziland is nestled up to South Africa; the rest come from MP3s, no doubt, as well as being educated in England and the U.S. Continue Reading »
Science Daily 
When Magdalen Nabb died in August 2007, she left us with a dozen pieces of delightful brain candy: the Marshal Guarnaccia crime novels.
Although he immediately gets a NO CONFIDENCE vote for numerous and glaring errors in punctuation, Washington gubernatorial candidate Javier O. Lopez makes an interesting claim:
Visiting with writer
Out walking with my friend Nisi Shawl recently in Seattle, she took me by the home of Tim Fowler somewhere on East Howell Street. I was immediately gob-smacked by what I saw: a building that was more work of art than conventional dwelling.
I boarded the bus in a slight hangover haze and sleep-deprivation daze, looking forward to snoring my way through the ride that awaited me. As soon as I settled into a seat next to the window, however, those hopes were lost. Between the seat’s build and my own, it was impossible to get comfortable enough to nod off. In retrospect, I should have given it a try and at least pretended I was sleeping, because by the end of the trip I would find out just how uncomfortable that particular seat could be.